Day 2 – Lichen & Bark

Day 2 – Lichen & Bark

Dry Brush Texture Study

Technique level: Intermediate
Duration: ~20–30 minutes

Paper:
Kreatima aquarelle 25% cotton (maybe)
Kreatima aquarelle 100% cotton (?)

Colors:
– Burnt Umber (Rembr.)
– Yellow Ochre (Rembr.)
– Payne’s Gray (W&N)
– Undersea Green (DS)


Not my thing I guess…

Objective:
Learn how to use dry brush technique to create rough, organic textures by lightly dragging pigment across textured paper. This mimics natural irregularities like bark, lichen, or cracked earth.

Materials:

  • Rough or cold press watercolor paper (texture is key!)
  • Stiff or worn round or flat brush (size 4–8)
  • Earth-toned pigments (e.g., Burnt Umber, Yellow Ochre, Payne’s Gray, Undersea Green)
  • Paper towel (for blotting excess moisture)
  • Reference photo of bark or lichen, or collect a sample if you’re near trees

Steps:

  1. No Pencil Needed: Go in without sketching today—let the brush do the sculpting. You’re building texture, not sharp edges.
  2. Prepare Dry Paint: Mix thick paint with minimal water. Blot your brush thoroughly—you want the bristles barely damp.
  3. Drag, Don’t Paint: Lightly drag the brush sideways, diagonally, or in short jerks across the paper. Let the texture of the paper “grab” the pigment and create broken marks.
  4. Layer It Up: Once the first layer dries, switch colors and vary brush angle to add more dimension. Keep your touch light.
  5. Details (Optional): Use the tip of a small brush (or even a dry sponge or toothbrush) to add dots, cracks, or spores—hinting at lichen patches or knotty wood.

Focus:

  • Observe how much pressure is needed to break up the stroke.
  • Try switching from side-brush to tip-brush drag to see textural differences.
  • Stay loose—aim for texture, not literal representation.

Bonus Tip:
Take a corner of the page to experiment first: Try one pigment at several moisture levels and drag each across the paper. Watch how quickly too much water kills the texture.

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