Day 13 – Monochrome Texture Study

Day 13 – Monochrome Texture Study

One Color, All the Drama

Technique level: Basic
Duration: ~30 minutes

Paper:
Kreatima aquarelle 25% cotton (maybe).

Colors:
– Perylene green (A. Gallo)

Objective:
Explore a full value range (light to dark) using just one pigment. You’ll paint a walnut, acorn, or seed pod, focusing on light, form, and texture – without the distraction of color choices. This is about shapes, shadows, and detail, pure and simple.

Materials:

  • Cold press or hot press paper
  • One pigment only (suggestions below)
  • Round brush (size 6 or so) and a detail brush
  • Suggested pigments: Burnt Umber, Sepia, Indigo, Payne’s Grey, or any favorite neutral

Steps:

  1. Choose and Sketch:
    Pick a subject with a textured surface and clear shape – a walnut, acorn, or spiky seed pod.
    Lightly sketch the form. Try to define planes or major shadow shapes to guide your washes later.
  2. Create a Value Scale (Optional but Helpful):
    On a scrap piece, swatch a quick gradient of your chosen pigment – from barely-there pale to rich, saturated dark. Keep this nearby as a reference while painting.
  3. Start with the Lightest Wash:
    Block in the whole object with a very light wash – barely tinted water. This establishes your base tone.
  4. Layer Midtones:
    Once dry, begin layering mid-values into the shadow sides or deeper crevices. Work slowly and build up in translucent glazes. Let dry between layers.
  5. Add the Darks:
    Now punch in the darkest shadows and textured areas (creases in the shell, seed pod ridges, the stem, or the base). Use the tip of a small brush and confident strokes.
  6. Optional Texture Tricks:
    • Use a dry brush or stippling to add roughness or speckled texture.
    • Blot with a tissue to lift light spots if needed.
    • For sharp detail, let the final layers dry fully and add crisp, dark accents.

Focus:

  • Really push the full value range – from delicate lights to bold shadows.
  • Train your eye to see contrast and form without relying on color.
  • Keep edges varied: hard in the focal point, soft in the shadows or outer edges.

Bonus Prompt:
Try doing this exercise again in a different neutral color. Compare how Burnt Umber feels warm and earthy, while Indigo feels cool and moody – even with the same subject.

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