Day 26 – Flat Shapes

Day 26 – Flat Shapes

Paint Like a Pair of Scissors

Technique level: Basic
Duration: ~30-40 minutes

Paper:
Kreatima aquarelle 25% cotton (maybe).

Colors:
– Sap Green (Rembr.)
– Azomethine Green Yellow (W&N)
– Hooker’s Green deep (Rembr.)
– Sepia (Rembr.)


Slightly missed the challenge… they started out flat 🙂


Objective:
Use clean, flat shapes of color to represent a simple subject – no shading, no blending. The focus is on strong composition, color placement, and deliberate simplicity. Choose a house, plant, or face – but stylized, graphic, and bold.

Materials:

  • Watercolor paper (hot press ideal for clean edges)
  • Bright or contrasting pigments (e.g., Indigo, Yellow Ochre, Cadmium Red Hue, Sap Green, Cerulean Blue)
  • Round or flat brush (bonus points for using a flat brush like a chisel)
  • Pencil, eraser, and a steady hand

Steps:

  1. Choose and Sketch a Bold Subject:
    Go for big shapes with recognizable features:
    • A stylized house (basic roof, windows, chimney)
    • A big-leafed plant like monstera or fig
    • A face – blocky, flat, maybe Picasso-lite
      Keep it simple, like a paper cutout.
  2. Plan Your Color Zones:
    Choose 3-5 colors maximum. Assign a color to each shape – roof = red, leaves = dark green, sky = pale yellow, etc.
    No gradients. Just pure, unapologetic color.
  3. Paint Each Shape Flatly:
    Mix a generous, even wash of pigment. Load your brush fully and apply the color to each shape in a single pass – no overworking, no layering, no blending.
    Let each shape dry before painting adjacent ones to avoid bleed.
  4. Edges Matter:
    This style relies on strong edges. Use masking tape for geometric areas or take your time with slow brush strokes.
    If the edge bleeds, don’t fix it – embrace the wobble.
  5. Optional Accent:
    Add a detail or two in black (e.g., window panes, plant veins, facial feature outlines) using a thin brush or ink to finish with pop.

Focus:

  • Think like Matisse, not Monet. You’re not painting light – you’re arranging color and form.
  • Respect the shape of each color patch; let them be characters, not backgrounds.
  • This is a study in restraint and design – not watercolor’s usual flow, but its bold, poster-child alter ego.

Bonus Prompt:
Cut your shapes out of colored paper or paint them digitally later. See how your watercolor design translates into a full flat-graphic piece.