Controlled Cauliflower Effects
Technique level: Intermediate
Duration: ~25–35 minutes

Paper:
Kreatima aquarelle 25% cotton (maybe).
Colors:
– Green Gold (DS)
– Ultramarine (DS)
– Burnt Sienna (W&N)
– Payne’s Gray (Rembr.)
Objective:
Explore how to intentionally create and control blooms (those cauliflower-like textures caused by wet paint spreading into drier areas). Instead of fighting them, today you’ll use them to mimic moss, lichen, and gritty rock textures in a close-up fragment of nature.
Materials:
- Cold press or rough watercolor paper (texture helps here)
- Round brush (size 8-10), and a small detail brush
- Pigments: granulating or bloom-prone colors (e.g., Green Gold, Ultramarine, Burnt Sienna, Cobalt Turquoise, Neutral Tint)
- Spray bottle or pipette (optional)
Steps:
- Sketch a Chunk: Lightly sketch a close-up of a rock or mossy patch – keep it abstract if you want. Focus on the suggestion of form and surface.
- Base Layer: Lay down a mid-tone wash (e.g., a neutral gray-green). While it’s still slightly damp, load your brush with a watery contrasting pigment and drop it into selected areas. Watch for the bloom.
- Manipulate the Effect: Try different timings:
- Drop pigment into wet areas = soft bloom.
- Drop pigment into damp but drying areas = strong cauliflower edge.
- Use a spray bottle or drop clean water into drying paint to push texture even more.
- Let It Happen: Don’t fix or smooth – let the chaos form naturally. Once dry, go back in with darker tones or a dry brush to add shadows and crevices between moss patches.
- Optional: Add speckles using a toothbrush or flick from your brush tip for earthy texture.
Focus:
- Timing is everything: too wet = smooth; too dry = stubborn edges.
- Observe how pigment type affects bloom shape (some pigments bloom more explosively).
- Think more in terms of “suggestion” than perfect shapes.
Bonus Tip:
Label a few sections as “early,” “mid,” and “late” bloom attempts so you can compare results. This is texture training – no pressure to make it pretty.